I don’t think there are enough museums dedicated to food.
Yes, I hear you scoff. “What about the Museu de la Xocolata, or Museum Of Chocolate, in Barcelona?” I hear you say. “Or that German Bratwurst Museum in the small village of Holzhausen near the Erfurt in Thuringia?”
Well, yes, those are obvious. But why has Australia never opened a tourist centre to worship the meat pie? Or a National Institute Of Lamington? Not only would these centres boost tourism and celebrate Aussie culture, they could even be housed in buildings could be shaped like Enormous Things. A Big Pie, for example, or a Giant Lamington. You can see the commemorative snowdomes now, can’t you?
Like coffee and fascism, this is something the Italians do best. I can never visit Rome without popping into the Museo Nazionale delle Paste Alimentari, or National Museum of Pasta Foods.
Hello lovely readers. Or lovely listeners. Or lovely “reaners”, if you do both.
I’ve added a page (to the right of the “home” above) where all the info about the radio show will live, so you can read playlists, see who is being interviewed, and various show notes. This will be a static page that will be updated at the top (shows in reverse order), as WordPress doesn’t seem to allow me to have two pages with multiple posts on them. You can, of course, leave comments there.
As requested, I am also going to set up a separate site for the Almost Fabulous segment, so you will be able to play embedded audio and read the text. I will get this done as soon as possible. Honest.
And thank you for your kind words. And your kind vowels. And your friendly punctuation.
Acclaimed author Doug MacLeod talks about writing for Young People, Steve from Glitter & Tonic visits the Forever Barbie Exhibition (so you don’t have have to), Narrelle M Harris discusses the CSI Effect, Glenn Dunks looks at what happens when stage musicals go to the cinema, Josh Kinal goes rant-tastic over Masterchef, Almost Fabulous visits the 19th Century, and Adam C’sCrime Against Pop was Filter Section’s singular cover of Smells Like Teen Spirit.
Please do not reveal the secret ending to your friends. All this and our musical challenge too!
Our Minister For Theme Tunes, David Ashton, is watching all the AFI Best Film winners – so you don’t have to. Let’s see what he’s up to today…
While Australia was experiencing one of its worst droughts, in 1982 the UK recorded it’s lowest ever temperature (-27.2C in Aberdeen.) Another cold place – the Falkland Islands – was invaded by Argentina, leading to war with Britain. With the IRA exploding bombs in London and the Queen off visiting Australia to open the National Gallery, Britain was in need of cheering up. So everyone was heartened when Aston Villa won the European Cup and they had a new TV channel to watch – Channel 4. One thing not televised (probably) was the first Rubik’s Cube World Championship, held in Budapest.
1982 was a good year for computers: not only did Scott Fahlman post the first emoticons, but Time Magazine named “The Computer” Man of the Year.
Possibly the editors of Time had all been to see Tron that year. Science Fiction was definitely still big in 1982 with films as diverse as John Carpenter’sThe Thing, Ridley Scott’s Blade Runner, Star Trek II: The Wrath of Kahn, and Steven Spielberg’s monster hit E.T. Meanwhile a new popular genre was emerging – the raunchy teen comedy. John Hughes’ Fast Times at Ridgemont High has since gone on to be a cult favourite, while Porky’s hasn’t.
If you weren’t a teenager or fan of science fiction in 1982 you may have gone to see the drag comedy Tootsie; the romance An Officer and a Gentleman; the musicals Annie or Pink Floyd: The Wall; or the spooky thrills of Poltergeist. Those with more political tastes may have preferred the Oscar-winning Ghandi, or Costa Garvis’ Missing, which took the Cannes Palme D’Or this year.
Meanwhile, Australia was experiencing a rare period of commercial success for local films. The biggest hits were The Man From Snowy River (directed by The Other George Miller) and The Year of Living Dangerously (Peter Weir). Australian films were also reflecting the same mix of genres as the international scene. There were the musicals Starstruck (Gillian Armstrong) and The Pirate Movie (Ken Annakin), romance in Far East (John Duigan’s remake of Casablanca), science fiction/horror got a gurnsey with the notorious Turkey Shoot (Brian Trenchard-Smith) and there was ribald comedy in The Clinic (David Stevens). We Of The Never Never (Igor Auzins) represented the post-Hanging Rock historical arthouse picture.
Perhaps perversely, this year the Australian Film Institute decided to give the Best Film award this year to a modest low-budget romantic comedy drama…
The inaugural voyage of the Outland Institute radio show set sail today – Josh Kinal assures me that the “one show anniversary” is traditionally lined notepad paper, freshly torn. And who am I to say he’s wrong?
On today’s show:
Josh Kinal talks about All Saints and televised eating contests, Narrelle Harris and Mary Borsellino discuss Robin The Boy Wonder‘s place in culture, Our Almost Fabulous feature looks at Neighbours’ Andrew “Macca” Mackenzie, Glenn Dunks picks some hits from this year’s Melbourne International Film Festival, Toby Sullivan tells us the right way to approach football, and our Crime Against Pop is Buckner & Garcia’s Pac-Man Fever: