The George A. Romero Title Game… Of The Dead

As part of our ongoing tribute to horrormeister George A. Romero, here’s a game for you to play at home.

Choose any film title and try adding “Of The Dead” to see if you can turn it into an appealing zombie flick. Not every combination works, but some are box office gold.

I tried going through the top 50 of IMDB’s Top 250 and was taken with these, any of which I would happily fork over my money for:

The Godfather Of The Dead

12 Angry Men Of The Dead

Rear Window Of The Dead

Memento Of The Dead

Taxi Driver Of The Dead

To Kill A Mockingbird Of The Dead

It’s A Wonderful Life Of The Dead

That last one’s my favourite – it sounds heart-warming. “Every time a bell rings, an angel gets his face chewed off by re-animated corpses.” Stars Jimmy Stewart.

Feel free to leave more titles in the comments below.

Finally, the statisticians at WordPress show me the Institute’s attendances went through the roof yesterday, so hello to all our new visitors! Tracey in the Outland Institute Gift Shop was totally exhausted by the end of the day, and needed a nice Kingston and a sit-down. (Also, we’re totally out of Wong Kar-Wai slippers, so please don’t ask.)

John’s MIFF blog – George A. Romero LIVE! (of the dead)

If you’re me – and I am – one of the most exciting things in this year’s Melbourne International Film Festival is the mini-retrospective of horror legend George A Romero. The icing on the cake? Last night’s live interview with Romero himself, which took place at the MIFF Festival Club.

For those who haven’t been to The Forum, it’s like the last-days-of-the-Roman-Empire meets Studio 54 in a crazed fever dream of Zazoom, the donkey from Hanna Barbera’s Arabian Knights series. “Size of a late-1920s picture palace!”. It was too weird even for the Christian Revivalists, who owned it for a decade until 1995. It’s been part of the Marriner Theatre group for the last few years, as well as the central base of the film festival.

The Forum was long ago subdivided from it’s original three thousand seat configuration – the old dress circle is now a cosy 500 seat cinema, and the remodelled stalls section is mostly used for concerts. During MIFF this section becomes the Festival Club.

I had expected more of a beardy horror audience, so was both surprised and pleased to see such a mixed crowd. You could have been expecting an appearance from Krzysztof Kieslowski, rather than a man who has made four films with “of the dead” in the title (and one “of the living dead”).

When Romero discretely appeared at the side of the auditorium, awaiting his cue, the audience started applauding, loudly and warmly. By the time he actually reached the stage, it was clear that introductions were completely superfluous.