Narrelle M. Harris is the author of four novels, including the Witch Honour series and the acclaimed Melbourne-based vampire novel The Opposite Of Life. She spent a year writing the follow-up to that novel, only to finally scrap the entire book. The Outland Institute asked Narrelle to talk about starting over and the art of editing.
I wrote my vampire book The Opposite of Life in something of a blitz. It came about after I saw Underworld. It was a fun film, but I was sick of glamorous, sexy, skinny vamps. Why was it that a set of fangs came as a package deal with ultra-coolness, great hair and a stunning all-leather outfit?
If I was ever turned into a vampire, I figured, I’d still be me. Still a big girl with a daggy streak a mile wide. That was the story I wanted to read, about the kind of vampires real people would be, in this real world where old-fashioned skulking in castles and eating the peasants wasn’t really an option any more.
The Opposite of Life was published earlier this year, and despite (or maybe because of) the lack of glam characters, it’s been doing well. Now I’m contractually obliged to write two more in the series.
Writing the sequel has turned out to be harder than I’d thought. The first one flowed trippingly from the keyboard. My editors have made comments suggesting the idea had been stewing away in my head for years, but no. It just popped up and I wrote it down. A lot of work went into the polishing of it, mind you. There were lots of added scenes, lots of stuff that changed or just came out. But it wasn’t a book I’d harboured in my head and heart for a decade, polishing it to loving detail. It was just a rollicking good time.
Walking Shadows (the current working title of the sequel) is a different beast altogether. I have already written one version of it. It took a year to do the first draft, then a few more months to finalise it for submission. It turned out to be… I hesitate to say “bad”, but it wasn’t the book that needed to be written.
That’s difficult to admit, especially since I’d thoroughly enjoyed myself while writing it. It was only when Ron said ‘we can’t publish this’ and explained why that I realised that he was completely correct. It was extremely painful and remains both distressing and embarrassing to have got it so wrong. The oft-told tale that the same thing happened to Helen Garner isn’t as comforting as people think.
So I’ve had to go back to the drawing board – or in my case, the blank page. Some of those key ideas and events may be retained, but as I start over I realise that there is less that can be salvaged than I’d hoped.
Writing is sometimes a bitch of a thing. Recently, I finally decided to do what Barbara Hambly referred to as “killing your babies”. A sequence of events I was very fond of just had to go because it slowed down the story and frankly didn’t provide a big enough laugh to justify shoehorning it in at this point.
In the abandoned version of Walking Shadows, this sequence of events worked well and provided a great, grotesque laugh at a good point in the story. But that whole story is now just an Alternate Universe, and that sequence can’t be retained solely because I liked it. It was killing the pace.
So one night last week, a good deal of my allotted writing time was spent in deleting a thousand or so words I’d spent previous hard hours working into the story.
One of my favourite writerly quotes (attributed to Mark Twain) is “Sorry for the long letter. I didn’t have time to write a short one.” Writing isn’t just about the words you keep. It’s about the ones you wipe away. Maybe it’s even more about the ones you delete. It can be like sculpting, in that way, knocking off the bits that don’t look like the thing you’re trying to craft.
Killing those babies, no matter how much you loved them, to make the story work is as hard, and sometimes harder, than getting those words down in the first place.
I worked – really worked – for over a year to get those words out on the first version of Walking Shadows, determined to make the deadline I had committed to. I’m still sad about having to kill it, even though I finally realised (with the gentle help of my publisher) it was utterly the wrong book and it would have to go. It didn’t happen without a lot of angst and distress and volcanic eruptions – killing your babies is very, very hard to do, and isn’t designed to make the writer a rational person.
It’s strange starting over and taking my characters in different directions, given that this other life they had exists in my head still. On the other hand, this new life of theirs is taking them where they should have gone in the first place. It’s giving them adventures and opportunities which are painful for them but gives them new ways to grow. I’m a bit of a sadist though, and when they are having a hard time is often when I’m having the most fun.
More of my babies will die before I’m done with this thing, but others will be born in their place. To stretch the analogy, perhaps to breaking point, I hope mainly that they will not die in vain, and that the remaining nursery will grow up into a healthy, happy book that other people will enjoy reading as much as I enjoyed writing it.
I started of thinking “oh no, a post about Twilight” and ended up thinking “hang on, this has nothing to do with the new Gregor Jordan film The Informers”
Anything to suck you in, Syms,
Actually I’d never heard of Twilight until last night, when I attended the “Paranormal Fiction and Romance Forum” at Dymocks. I really should be paying more attention. It was a really interesting evening, I love to see passionate people talking about subjects of which I know nothing. I find it entertaining and educational. Narrelle was on the panel and reffered to “the second book” and “the other second book” which I found quite charming.
I also discovered that the endless Sweet Valley High series of romantic novels for teen girls once printed a vampire story (Kiss Of A Killer by Francine Pascal, fact fans – number 128 in the series. I guess by 128 you’re starting to run out of ideas. “Chances” did something similar).
Wasn’t Gregor Jordan supposed to be making a film of The Tripods?
I am so looking forward to writing the look on Lissa’s face when she discovers that Sweet Valley High book in Gary’s vampirana collection. He is such a geekboy completist.
Let’s learn some stuff about Sweet Valley High quickly, shall we? According to Wikipedia (so it must be true!) there were 152 books in the series (not counting all the spin-offs), and other unexpected plots included:
The twins battling a werewolf in London;
The twins and friends being chased by escaped criminals in Death Valley;
A former classmate attempting to steal Alice’s face via a face transplant; and
Elizabeth and a Parisian prince falling in love.
A Parisian prince? Did they go back in time as well?
Merchandising included puzzles, a board game, audio books, video and DVDs of the TV Series, a CD soundtrack, dolls and doll clothing, a trivia book and a neon sign. Also a “Slam Book”, whatever that is.
Sorry Narrelle, I seem to have hijacked the comments away from your novel. Which is grouse.
Never mind that. I think I want to read about sweet teenaged girls doing FaceOff but with bitchfights, giggling, worrying about boys and The Prom.
Narrelle: I’m about half-way through your book at the moment – its great: crime, vamps and Melbourne all in the same novel!
Glad you’re enjoying it. If all goes well this time, you’ll eventually have even *more* crime, vamps and Melbourne to help you pass the time.
I’m so going to read it. As Sam said – so many of my favourite things wrapped up in wordy goodness.
I must also point out that I think I was the only girl I knew in high school who didn’t submit to Sweet Valley High. Ok, I think I read one about the twins. I’m sure it was about the problems of being blonde and whether or not to let a boy touch your tits – through your jumper, of course.
That’s what all novels are about really, isn’t it? When you really get down to it?
favourite things wrapped up in wordy goodness or deciding if you’re going to let someone touch your tits?
Have you seen ‘Near Dark’? It’s one of my favourite vampire films (although the ending is crap and Adrian Pasdar is a wimp) because the vampires aren’t rich, they’re white trash and the female is Jenette Goldstein, Velasquez, from ‘Aliens’. Not pretty, not skinny and looks like she’s now having a permanently bad hair day. Good fun AND directed by a woman, Kathryn Bigelow of ‘Blue Steel’ fame.
I haven’t seen that one, and so it has to go on my list – for after I’ve finished writing the current book. I don’t actually read/watch much vampire fic while I’m working on the books so I don’t have any accidental cross polination…
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