And The Winner Is… The Devil’s Playground (1976)

November 9, 2008

The Outland institute’s “Best News Theme” correspondent David Ashton is watching all the Australian Film Institute’s “Best Film” winners from 1976 onwards. Last week he set the scene, now the journey begins…

abba

1976, what a big year that was! Well, it was a leap year so it was a bit bigger than usual. Harold Wilson resigned as the UK’s PM, Patty Hearst was found guilty of the armed robbery of a San Francisco bank, while here in Melbourne $1.4 million in bookmakers’ settlements was stolen in The Great Bookie Robbery. Queen Elizabeth II sent the first royal e-mail in this year, presumably to Steve Jobs who was forming Apple at the time. The Viking 2 spacecraft landed on Mars, and according to Wikipedia, “The UK and Iceland end the Cod War” (no, I don’t know what that was either, but I suspect that Goodies episode had a whole level of meaning that I totally missed).

Meanwhile the US film industry was being transformed by a bunch of film-school upstarts with a bold, gritty approach to movies. In 1976 Martin Scorsese won both the Palm D’Or at Cannes for Taxi Driver and also the Best Film BAFTA for Alice Doesn’t Live Here Anymore (which also later spawned a spin-off TV series). Meanwhile the Oscars were dominated by Rocky (dir: John G Alvidson) and Network (dir: Sydney Lumet).

In Australia the “film renaissance” (use of this phrase is mandatory) was in full swing. Caddie (dir: Donald Crombie) was a big hit with critics and audiences alike, Don’s Party (dir: Bruce Beresford) dished up Australian politics to a country still reeling from the dismissal of Gough Whitlam, and Richard Franklin brought some much-needed tits and bums to Australian Culture with Fantasm (aka World of Sexual Fantasy).

Speaking of Australian culture, this was the year the Australian Film Institute decided that it was worth having a category for best feature film. Previously the award had been for ‘Best Film’ with the award often going to a documentary or short film. So who was the winner of the first Best Feature Film award?

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