The Cauliflower Of Morbius

February 26, 2011

So, I was tidying around the website – polishing the fonts, putting doilies on the html code, that sort of thing – and I found this image in the comments that you may have missed the first time around. Either enjoy the sheer inconguity of it, or if you’d like to know why this exists read our review of The Doctor Who Cookbook and the follow-up article.

No, you’re welcome.

Thank you to David AA for his photshopping expertise, and why not buy a copy of The Brain Of Morbius from amazon.co.uk? Part proceeds go toward buying John coffee. Or buy the Doctor Who double pack of Kinda and Snakedance just because they’re both grouse and have giant snakes in them.


Beverage-Based Insults

August 15, 2009

Today’s guest lecturer, Tim Richards, looks at the controversial topic of libation vilification…

coffee

“You are going to have a piece of policy that comes direct from the manic monkey cafe of inner-suburbia nirvana-ville straight to you!”

Well, crikey. When Senator Barnaby Joyce frothed over (like a vigorously prepared cappuccino) with these words in Canberra in June, a few thoughts occurred to me:

1) Canberra has that effect on people.

2) Where can I find this Manic Monkey Cafe?

3) And do they do good lattes?

Which then led me to reflect on the time-honoured practice of conservative commentators using beverages as insults

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Gnocchi By Nature

July 24, 2009

This article originally appeared on the Aerohaveno travel blog, as well as Lonely Planet’s website.

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I don’t think there are enough museums dedicated to food.

Yes, I hear you scoff. “What about the Museu de la Xocolata, or Museum Of Chocolate, in Barcelona?” I hear you say. “Or that German Bratwurst Museum in the small village of Holzhausen near the Erfurt in Thuringia?”

Well, yes, those are obvious. But why has Australia never opened a tourist centre to worship the meat pie? Or a National Institute Of Lamington? Not only would these centres boost tourism and celebrate Aussie culture, they could even be housed in buildings could be shaped like Enormous Things. A Big Pie, for example, or a Giant Lamington. You can see the commemorative snowdomes now, can’t you?

Like coffee and fascism, this is something the Italians do best. I can never visit Rome without popping into the Museo Nazionale delle Paste Alimentari, or National Museum of Pasta Foods.

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8 Out Of 10 Cats Agree…

April 17, 2009

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Advertising. Like the weather and syphilis, everyone talks about it yet no-one does anything. Was it Shakespeare who once said “Our gain is your loss/that’s the price you pay/I heard it in the House of Commons/everything’s for sale”? No. It was the Pet Shop Boys. But if you consider that they’ve had more top ten hits than Shakespeare, Jane Austen and Cervantes combined, they must be on to something.

According to Charlie Brooker’s excellent television series Screenwipe, modern advertising and marketing campaigns are analysed down to the most intricate detail. Ads have to work internationally, so no item is below scrutiny – the models can’t wear sneakers, as that connotes “gangster” in Russia, they can’t wear denim as that means they’re gay in Indonesia. Confectionery advertising involves the frighteningly obsessive idea of “the load” – that is, the specific way the model places the product in their mouth.

As an advertising insider on Screenwipe explains: “Different gum companies have different ways they like their gum “loaded”. They publish booklets for directors to study so the load is uniform across their ads. On any shoot there’ll be one poor sod from the client whose sole job is to ensure the load goes off according to company guidelines.”

So if people are putting so much thought into marketing, advertising and product design, why would Whiskas choose to sell their product with a kitten that wants to punch you in the face?

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Oh yes, this kitten could’ve been a contender. He’s like Jake LaMotta – if Jake LaMotta had spent less time throwing fights against Billy Fox in order to curry favour with the Mafia, and more time chasing string and napping. An imperfect analogy, yes, but an analogy all the same.

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Taste Test: Doctor Scab’s Monster Lab

October 29, 2008

Halloween! Just the name conjures up visions of… repeats of US sitcoms in May, and… something about pumpkins… I think Charlie Brown‘s in there somewhere… no, I’ve got nothing.

Though there are unconfirmed reports of Australian children trick-or-treating in the outer suburbs, Halloween remains one of those strange American customs – like bright orange cheese, or trying to shoot the President. It’s never had any cultural traction in this country, which is a pity, because I can’t helping thinking the nation would be improved by adults wearing fancy dress with impunity. It doesn’t help that Halloween falls so close to Melbourne Cup – perhaps it would catch on if small children dressed as Phar Lap.

Our foreign correspondent Daniel Cardone recently returned from the US with Halloween candy in tow. In Outland Institute tradition we gathered a panel to test this spooky delicacy.

Doctor Scab’s Monster Lab is a bag of “creepy chocolaty flavored [sic] body parts”. It’s what the Easter Bunny would bring if the Easter Bunny had seen too many Saw movies. It’s a cavalcade of severed fingers, toes, ears and lips, plus “fudge filled eyes”, wrapped in gruesomely-detailed foil. Palmer, the manufacturer, has a Quality Pledge on the pack where they state “For over 50 years, Palmer has been a national brand making candy for Christmas, Valentine’s Day, Easter and Halloween… If you are not satisfied please let us know and we will make it right.” Two things here to note here – Palmer makes special occasion candy, but nothing you’d eat everyday – for reasons that would soon become abundantly clear. Secondly, the phrase “we will make it right” sounds quite ominous when you’re looking at a bag of edible body parts.

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Tim Tam or Not Tim Tam? That Is The Question…

October 16, 2008
As the world hurtles toward an economic meltdown, The Outland Institute looks at the most important issue of the day – which is the best Tim Tam-like biscuit? We put them to the test and you might be surprised by the results. Or you might not.

Tim Tam. Just the name sends a shiver down the Aussie spine. The chocolate biscuit is as true-blue an Australian icon as Donald Bradman, Mr Squiggle or casual racism. Like most Australian icons, it’s owned by America – since 1997 Arnott’s have been a fully-owned subsidiary of The Campbell Soup Company of America (you may know them from their work with Andy Warhol).

Wikipedia describes the Tim Tam as “two layers of chocolate malted biscuit, separated by a light chocolate cream filling, and coated in a thin layer of textured chocolate”, which I think takes away some of the magic. The Tim Tam is so much more than wafers and chocolate – it’s a delightful treat, it’s a straw for coffee, it’s a lonely girl’s companion. Launched in 1964, the name comes from a prize-winning American racehorse which Ross Arnott had seen win the 1958 Kentucky Derby (by a strange co-incidence, the horse that came second was called “Chocolate Wafer Biscuit You Can Drink Coffee Through”). Tim Tam (the horse) was inducted into The National Museum of Racing and Hall of Fame in 1985, no doubt leading to endless disappointment for biscuit-starved ex-pats visiting Saratoga Springs, New York.

As the old saying goes, “if you build it, they will copy it under a slightly different name”. So the original Tim Tam now competes with several similar biscuits on the supermarket shelves. How do they stack up? In the interests of science, The Outland Institute gathered a panel to do blind taste tests of four contemporary Tim-Tamalikes.

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Great Literature Of The 20th Century: Further Reading (and Further Eating)

September 10, 2008

Last week on Great Literature I featured that classic tome, The Doctor Who Cookbook. At the end of the article I included the full recipe for Elisabeth Sladen’s Cauliflower Cheese – you may remember Elisabeth Sladen as dauntless lady journalist Sarah-Jane Smith - here’s a picture of her being possessed by a stone hand while dressed as Andy Pandy:

I set the challenge to Outland Institute visitors to make this dish at home and report back (the Cauliflower Cheese, not the stone hand). I didn’t think anyone would be brave – or foolhardy – enough to try… 

I was wrong. Journalist and travel-writer Tim Richards was up to the task, and he even invited me along to try the finished product (incidentally, Tim and I share a set of parents – it’s a funny story).

Tim has sent in this report:

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Great Literature Of The 20th Century: Passport To Survival

August 27, 2008

Imagine if society came crashing to a halt, if everything we knew and relied on was torn away. As you stood among the rubble of the modern world, surely only one question would come to mind – “what’s for dinner?”

Thankfully you have a copy of Esther Dickey‘s Passport To Survival. This book contains over 100 recipes you can make using only four basic ingredients. You heard me, only four ingredients that will survive a year’s storage in your bunker/biodome/orbiting satellite/mountain cave. Those four ingredients are wheat, salt, honey and powdered milk. There’s even a jazzy illustration to help entertain you while the corpses of the dead pile up outside your air-tight doors.

Actually, for a book predicated on the downfall of the civilization, Passport To Survival is surprisingly perky. The dust-jacket claims that “filled with creative, cheerful thinking, it reflects the author’s faith in the power of the human heart and will”. That’s not the only thing the author has faith in, but we’ll get to that in a moment.

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Warm Nights On A Slow-Moving Tram

August 21, 2008

For 25 years, the Restaurant Tram has been shuttling tourists to St Kilda and back, yet the closest most Melbournians have been is seeing it on Kath & Kim. Janet Greason takes a trip down memory lane for The Outland Institute.

1983, the year I moved to St Kilda, was also the year the Colonial Tramcar Restaurant began. To the denizens of St Kilda then, the tramcar was seen as tacky and middle class – the same as the tourists. To have three dozen people stuffing their faces as they trundled through a suburb that was surviving mainly on the dole seemed a bit rude. Another crappy function centre that just happened to be on wheels. The only positive thing was that it kept them corralled and off the streets – had they allowed the poor locals to sell their artwork and crafts each time it stopped (like they do in other third world countries) things might have been different…

By the end of the eighties I had moved to Elwood, and my snarling Pavlovian response to its bells became as infrequent as its sightings.

It was still with some trepidation, however, that my partner and I recently turned up at the Tramcar shelter opposite the casino – friends had bought us dinner on the tram as a birthday present. Like the popstars and actors that mean so much to us at a certain time in our lives but eventually vanish into thin air, I had assumed the tramcar restaurant had married a rich bloke and gone off to have his kids. I was curious to see who else would be joining us. What kind of people would want to do this?

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Better Latte Than Never

July 30, 2008

As you may know, The Outland Institute is a celebration of culture in all its forms. And that includes… coffee shops… oh look, I don’t have to justify myself.


Picking up The Age this morning, I was annoyed to see a giant Starbucks cup emblazoned on the top right-hand corner of the front page. “Oh great,” I thought – somewhat sarcastically – “Now The Age is doing Starbucks promotions, no better than the Herald Sun, young people today, benches in the city, it’s not real music and so on”. A closer look, however, revealed the logo was there for a far more exciting reason – Starbucks is closing two thirds of its stores in Australia, reducing its presence to a mere 23 locations.

Obviously I feel sorry for the staff, who will undoubtedly be frakked over in the proud tradition of Australian industry. But the steady demise of Starbucks can only be a good sign in the ever-vigilant battle against the forces of cultural hegemony. (You got that memo, yeah?)

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